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Nilanjan Bhowmick AIR 3, CSIR NET (Earth Science)
Deb dulal halder Halder
The author does not place his own narrative voice between the character and the reader, but rather, allows characters to shock and subvert. It is thus as if the books were written by multiple characters, not a single author’s standpoint. Instead of a single objective world, held together by the author’s voice, there is a plurality of consciousnesses, each with its own world. The reader does not see a single reality presented by the author, but rather, how reality appears to each character. The text appears as an interaction of distinct perspectives or ideologies, borne by the different characters. The characters are able to speak for themselves, even against the author – it is as if the other speaks directly through the text. The role of the author is fundamentally changed, because the author can no longer monopolise the ‘power to mean’. Dostoevsky’s ‘dialogical principle’ is counterposed to the ‘monologism’ (single-thought discourse; also termed ‘homophony’ – single-voice) characteristic of traditional writing and thought. In monologism, one transcendental perspective or consciousness integrates the entire field, and thus integrates all the signifying practices, ideologies, values and desires that are deemed significant.