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Nilanjan Bhowmick AIR 3, CSIR NET (Earth Science)
Deb dulal halder Halder Best Answer
In the second part of his essay on ‘the Function of Criticism’ Eliot mentions Middleton Murray’s views on Classicism and Romanticism. Murray makes a clear distinction between the two and states that one cannot be Romanticist as well as a Classicist at once. Eliot does not agree with this view of Murray. Murray seems to make it a national or a racial problem, suggesting that the genius of the French is classic and that of the English is romantic. Eliot does not agree with the view of Murray who says that the English as a nation are romantics, humourists and non-conformists. Eliot does not agree with Murray who says that the French are naturally classical. In the last part of the essay Eliot discusses the problem of criticism in all its manifold aspects. He makes fun of Matthew Arnold who rather bluntly distinguished between the critical and the creative activities. Eliot blames Arnold for not considering that criticism is of great importance, in the process of creation itself. In Eliot’s view an author’s self criticism is the best kind of criticism. It is the self criticism of one’s own composition. He says that some writers are better creative and superior to others, only because their critical faculty is superior. They are able to criticize their own composition even at the time of composing them. The result is that they corrected and refined. He does not agree with the view that the great artist is an unconscious artist. He argues that critical activities and creative activities cannot be separated. The most important qualification of a critic is that he must have a very highly developed sense of fact. Eliot agrees that it is a rare gift. Eliot does not think highly of ‘interpreting’ an anchor. The critic must be able to give an insight into a text. He argues that impressionistic criticism is false and misleading