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Nilanjan Bhowmick AIR 3, CSIR NET (Earth Science)
Sapare bhavani bai
Chapman's comedy derives from the commedia dell'arte tradition of Italy — perhaps more directly than most English plays so influenced: Chapman may have based Blind Beggar on a commedia that he witnessed first-hand during a trip to Italy.[4] Not atypically for a play so influenced, the plot of Blind Beggar depends heavily on the comedic effects of disguise. Cleanthes, a swindler and pretended duke, has wooed the imperious Queen Aegiale, who rewards his temerity by banishing him. Cleanthes returns to Alexandria in the guise of the blind beggar and fortune-teller Irus. In that disguise and others — Leon the usurer, and the "mad-brain" aristocrat Count Hermes — Cleanthes manipulates people and events to turn in his favor (and for the sheer egotistical fun of it). He seduces Aegiale; he marries a pair of sisters in his different personas — and then tempts both of them to engage in adultery, though only with himself in other guises. He ends up king of Egypt, and disposes of his two sibling wives (now pregnant) as the mates of two captured kings. Critics have recognized Cleanthes, a shepherd by birth who becomes a king, as a comic parody of Christopher Marlowe's Tamburlaine.[5] Even in a relatively light and slight project like Blind Beggar, a hint of Chapman's classical learning and inclination shows through. The pretend-beggar Irus is named after the bragging beggar who foolishly challenges Odysseus to a fight in the final book of The Odyssey. Some of the farcical comedy elements in Blind Beggar may be the work of an unknown play doctor rather than Chapman himself; the dedication printed in the first edition of his later comedy All Fools (published 1605) indicates that Chapman supervised the publication of that text himself, to prevent the appearance of a play "patch'd with others' wit." This may imply that earlier Chapman comedies, Blind Beggar and perhaps An Humorous Day's Mirth, had been "patch'd" in just this way.