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Langston Hughes was a central figure in the Harlem Renaissance, the flowering of black intellectual, literary, and artistic life that took place in the 1920s in a number of American cities, particularly Harlem. A major poet, Hughes also wrote novels, short stories, essays, and plays. He sought to honestly portray the joys and hardships of working-class black lives, avoiding both sentimental idealization and negative stereotypes. Poetry collections The Weary Blues, Knopf, 1926 Fine clothes to the jew, Knopf, 1927 The Negro Mother and Other Dramatic Recitations, 1931 Dear Lovely Death, 1931 The Dream Keeper and Other Poems, Knopf, 1932 Scottsboro Limited: Four Poems and a Play, Golden Stair Press, N.Y., A New Song 1938, incl. the poem \"Let America be America again\") Shakespeare in Harlem, Knopf, 1942 Freedom's Plow, 1943 Jim Crow's Last Stand, Atlanta: Negro Publication Society of America, 1943 Fields of Wonder, Knopf, 1947 One-Way Ticket, Selected Poems of Langston Hughes, 1958 Ask Your Mama: 12 Moods for Jazz, Hill & Wang, 1961 The Panther and the Lash: Poems of Our Times, 1967 The Collected Poems of Langston Hughes, Knopf, 1994 first book of poetry, The Weary Blues, published by Knopf in 1926. The book had popular appeal and established both his poetic style and his commitment to black themes and heritage. Hughes was also among the first to use jazz rhythms and dialect to depict the life of urban blacks in his work. He published a second volume of poetry, Fine Clothes to the Jew, in 1927.